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1. Approaching the source of the Nile

2. Source of the Nile

3. Another discovery of the source of the Nile

4. Nile twisting and turning

5. Abyssinia

6. Abola

7. Astaboras River

8. Floating hair

9. Prophecies of war

James Bruce

James Bruce spent years trying to discover the true source of the Nile, and, convinced he had discovered the fountain from which the sacred river flowed, returned to Britain to write a poetic description of his travels through Africa. The six volumes, later condensed into five, became quite popular. Coleridge quoted Bruce in his "Religious Musings" in 1794. Later he made a note of a plan to write about "seeking the fountains of the Nile." And in 1807, Dorothy Wordsworth wrote to Lady Beaumont, "Coleridge says that the last edition of Bruce's Travels is a book that you ought by all means to have."

Lowes argues that Coleridge picked up many striking images from Bruce, and, in the opiate state, those pictures overlapped similar visions from other travelers. That linking together, that association, gets articulated in the poem, Lowes argues. The verbal parallels are suggestive, but more than individual words, we see similar plots and characters, so the mind moves through the landscapes again and again, noticing or recalling the same constellation of images.

Source: James Bruce, Travels to Discover the Source of the Nile, in the Years 1768, 1769, 1770, 1771, 1772, and 1773. In 5 volumes. Edinburgh, 1790.

Other sources

William Bartram
William Beckford
F. Bernier
Thomas Burnet
William Collins
Herodotus
Athanasius Kircher
Jerome Lobo
Thomas Maurice
John Milton
Pausanias
Samuel Purchas
Major James Rennell
Seneca
Strabo
Virgil

Mary Wollstonecraft

 

Bruce 1: Approaching the Source of the Nile

Lowes argues that Coleridge's Xanadu resembles the area around the fountain from which the Nile begins. One thread of imagery, then, suggests that the site is the long-sought but rarely found source of the Nile, one of the four sacred rivers that tradition says flowed out of Paradise.

Lowes has stitched together phrases and sentences from eight out of 47 consecutive pages, creating a miniature narrative of Bruce's journey as he approached the source of the Nile. Bruce's guide led him through a very thick wood, in a situation that Bruce found romantic. At that point the Nile was not more than four yards wide, shaded by cedars. The thick groves seemed a cover from which savage animals might burst at any moment. Nearing the source, Bruce hesitated, because the water was enchanted. In the middle of a hill, there was a cliff called Geesh. In that cliff, in the direction of the fountain from which the Nile flows, Bruce found a large cave, suggesting that perhaps the Nile itself came out of those depths. From the cliff, the ground sloped downhill very gradually, descending toward the fountain itself. In these particulars, gathered together into an anthology, the narrative does seem to echo Coleridge's poem.

Text

The (whole mountain) was covered with thick wood, which often occupied the very edge of the precipices on which we stood… Just above this almost impenetrable wood, in a very romantic situation, stands St. Michael, in a hollow space like a nitch between two hills. ….The Nile here is not four yards over. (The whole company) were sitting in the shade of a grove of magnificent cedars …The banks (of the Nile)…are covered with black, dark, and thick groves…a very rude and awful face of nature, a cover from which our fancy suggested a lion should issue, or some animal or monster yet more savage and ferocious …. "Strates," said I, 'be in no such haste; remember the water is inchanted.' ….In the middle of this cliff (at Geesh), in a direction straight north towards the fountains is a prodigious cave …From the edge of the cliff of Geesh….the ground slopes with a very easy descent due north….On the east the ground descends likewise with a very easy….slope. From (the) west side of it…the ascent is very easy and gradual…all the way covered with good earth, producing fine grass. --Bruce III, 589, 593, 563-4, 600, 634, 635-6.

 
Word Line # Line Sources for word
Caverns 4

Through caverns measureless to man

 Bartram 5
 Bruce 1
 Kircher 2
 Strabo 2
 Wollstonecraft

 

  27

Then reached the caverns measureless to man

 Bartram 5
 
Bruce 1
 Kircher 2
Strabo 2
 Wollstonecraft

 

Caves 34

From the fountain and the caves

 Bruce 1
 Kircher 2
 Maurice 2
 Milton 4

 

  36

A sunny pleasure-dome with caves of ice!

 Bruce 1
 Kircher 2
 Maurice 2
 Milton 4

 

  47

That sunny dome! those caves of ice!

 Bruce 1
 Kircher 2
 Maurice 2
 Milton 4

 

Cedarn 13

Down the green hill athwart a cedarn cover

 Beckford
 
Bruce 1
 Kircher 2
 Milton 1

 

Cover 13

Down the green hill athwart a cedarn cover

 Bruce 1

Earth

18

As if this earth in fast thick pants were breathing

 Bartram 2
 Bartram 6
 Bartram 8
 Bernier 2
 Bernier 5
 
Bruce 1
 Burnet 2
 Kircher 1
 Milton 4
 Seneca 1
 Seneca 2
 Wollstonecraft

Enchanted 14

A savage place! As holy and enchanted

 Bartram 2
 Bartram 4
 Bartram 5
 
Bruce 1
 Bruce 3
 Collins

 

Fountain

19

A mighty fountain momently was forced

 Bartram 4
 Bartram 5
 Bartram 6
 Bartram 8
 Beckford
 Bernier 2
 Bernier 4
 Bruce 1
 Bruce 2
 Burnet 1
 Burnet 2
 Herodotus
 Maurice 2
 Milton 4
 Pausanias
 Rennell
 Seneca 1
 Wollstonecraft

 

34

From the fountain and the caves

 Bartram 4
 Bartram 5
 Bartram 6
 Bartram 8
 Beckford
 Bernier 2
 Bernier 4
 Bruce 1
 Bruce 2
 Burnet 1
 Burnet 2
 Herodotus
 Maurice 2
 Milton 4
 Pausanias
 Rennell
 Seneca 1
 Wollstonecraft

Hill

13

Down the green hill athwart a cedarn cover

 Bartram 4
 Beckford
 Bernier 1
 
Bruce 1
 Bruce 2
 Bruce 3
 Bruce 7
 Milton 3
 Milton 4

 

Hills 10

And here were forests ancient as the hills

 Bartram 4
 Bernier 1
 
Bruce 1
 Bruce 2
 Bruce 3
 Bruce 7
 Milton 3
 Milton 4

 

Paradise 54

And drunk the milk of Paradise.

 Beckford
 
Bruce 1
 Burnet 1
 Kircher 1
 Milton 1
 Milton 2
 Milton 4
 Milton 5
 Milton 6

 

Romantic 12

But oh! That deep romantic chasm which slanted

 Bruce 1
 Rennell
 

Savage

14

A savage place! As holy and enchanted

 Bruce 1
 Milton 3

Slanted 12

But oh! That deep romantic chasm which slanted

 Bruce 1

Bruce 2: Source of the Nile

Now Bruce gets mad. No more stalling, he tells his guide. He wants to see the headwaters of the Nile. He takes off his shoes, and plunges down the green hill through thick flowers, then through a marsh to an island, with an island, shaped like an altar, in the middle of which rises a fountain, giving life to the Nile. Here is the answer to more than a thousand years of questions; the goal of countless explorers; the mystery behind the ancient holy river. The moment is dramatic enough to stick in anyone's memory, so I find it believable that Coleridge might recall the details when envisioning a wilderness plot, green and fountainous.

But Lowes suggests that the description might also link, in Coleridge's memory, with passages in Bartram, tramping through Florida. Bruce's "hillock of green sod" might chime with Bartram's "swelling green knoll" by the "inchanting fountain." Bruce's hillside "thick grown over with flowers" might echo the flowers in Bartram; the water being "forced itself out with great violence" resembles the Manatee Spring in Bartram, with water bubbling up, intermittently, then settling down.

Lowes imagines that these visual memories link together, and he calls them the "hooks and eyes of the memory." He concludes:

The vivid images of fountains in Florida and Abyssinia, with their powerful ejected streams, have coalesced in the deep Well and risen up together, at once both and neither, in the dream.

So for Lowes, the sacred river flows from Ethiopia, Kashmir, and Florida.

Text

Come, come, said I…no more words; it is now late, lose no more time, but carry me to Gesh, and the head of the Nile directly, without preamble, and shew me the hill that separates me from it. He then carried me round to the south side of the church, out of the grove of trees that surrounded it. "This is the hill, says he, looking archly, that…was between you and the fountains of the Nile; there is no other; look at that hillock of green sod in the middle of that watery spot, it is in that the two fountains of the Nile are to be found: Gesh is on the face of the rock where yon green trees are: if you go the length of the fountains pull off your shoes…for these people are all Pagans…and they believe in nothing that you believe, but only in this river, to which they pray every day as if it were God." ….Half undressed as I was by loss of my sash, and throwing my shoes off, I ran down the hill towards the little island of green sods; …the whole side of the hill was thick grown over with flowers, the large bulbous roots of which appearing above the surface of the ground, and their skins coming off on treading upon them, occasioned two very severe falls before I reached the brink of the marsh; I after this came to the island of green turf, which was in form of an altar, apparently the work of art, and I stood in rapture over the principal fountain which rises in the middle of it

It is easier to guess than to describe the situation of my mind at that moment-standing in that spot which had baffled the genius, industry, and inquiry of both ancients and moderns, for the course of near three thousand years. --Bruce III 596-7
Word Line # Line Sources for word
Fountain 19    
  34    
Green 13    
  x    
Greenery 11    
Hill 10    
  13    
Holy 14    
Tree 9    

Links to

Fountain 19 (2 references) 34

Greenery 11 green 13 (2 references)

Hill 10, 13

Holy 14

Tree 9

Bruce 3: Another discovery of the source of the Nile

Intro

Here's another narrative from someone claiming to have discovered the source of the Nile-Father Peter Paez, who says he stumbled on the two fountains on April 21, 1618. Paez's narrative had been anthologized by Athanasius Kircher, and Bruce translates from Kircher's book into English. In a way, the tale re-enforces Bruce's own description, with water forcing itself out with great violence, and land floating dangerously above water, with fountains.

Texts

Bruce, translating Father Peter Paez, S. I, Historia Aethiopiae, Rome, 1905, II, 256 ff.

The second fountain lies about a stone-cast west from the first: the inhabitants say that this whole mountain is full of water, and add, that the whole plain about the fountain is floating and unsteady, a certain mark that there is water concealed under it; for which reason, the water does not overflow at the fountain, but forces itself with great violence out at the foot of the mountain. The inhabitants…maintain that that year it trembled little on account of the drought, but other years, that it trembled and overflowed so as that it could scarce be approached without danger. Bruce, III p. 619-620

 
Word Line # Line Sources for word
Beware 49    
Enchanted 14    
Forced 19    
Green 13    
  xx    
Hill 13    
Tumult 28    
       

Latin Text in Athanasius Kircher, Oedipus Aegyptiacus, Rome 1652, I, 57-58, as recorded by Lowes, p. 589.

Secundus fons vergit a primo in orientem ad iactum lapidis, huius profunditatem explorantes, immissa lancea 12 palmorum, fundum nullum invenimus; colligatisque duabus lanceis 20 palmorum, denuo rem tenativimus, sed nec sic fundum tenere potuimus, dicuntque incolae, totum montem plenum aquis, cuius hoc signum dabant, quod tota circa fontem planities tremula erat et bulliens, manifestum latentis aquae vestigium, eandemque ob causam non redundant aqua ad fontem, sed ad radices impetus maximo sese egerit; affirmabantque incolae…eo anno terram parum tremuisse ob magnam anni siccatatem, aliis vero annis ita tremere et bulliere, ut vix since periculo adire liceat.

Word Line # Line Sources for word
Beware 49    
Enchanted 14    
Forced 19    
Green 13    
  xx    
Hill 13    
Tumult 28    

Links to

Beware 49 (from danger???)

Enchanted 14

Forced 19

Green hill 13

Tumult 28

 

Bruce 4: Nile twisting and turning

After the Nile emerges, it evidently wiggles back and forth for half a dozen miles. Careful explorer that he is, Bruce counts twenty turns in five miles. On page 580 he says "In this plain, the Nile winds more in the space of four miles than, I believe, any river in the world." And in the following short passage, he enumerates the twists and turns again. In the same way, Bartram's crystal fountain throws up a stream that "meanders six miles through green meadows."

In both authors, we certainly have a watercourse meandering for several miles. So when Coleridge says that the sacred river goes "five miles meandering with a mazy motion," Lowes concludes "That is Bartram and Bruce in one." 372

Text

Makes so many sharp, unnatural windings, that it differs from any other river I ever saw, making about twenty sharp angular peninsulas in the course of five miles. Bruce, III p. 644.
Word Line # Line Sources for word
Meandering 25    
Miles new      

Link to:

Meandering 25

Bruce 5: Abyssinia

Bruce's narrative takes place almost entirely in Abyssinia, and Abyssinia is the source of the sacred river, the Nile. So perhaps Bruce is also the source of the idea of the Abyssinian maid playing her dulcimer later in the Coleridge's poem. Abyssinia is roughly the Ethiopia of today.

no Text

Word Line # Line Sources for word
Abora 41    

Link to:

Abora 41

Bruce 7: Astaboras River

Here's another river with a name that perhaps echoes Abora in Kubla Khan. The Astaboras tears up rocks, forces fragments forward in the stream, terrifying people, sounding like thunder bouncing off a hundred hills. Scary stuff.

Lowes suggests that Coleridge's Mount Abora is a conflation of Astaboras and Abola, two rivers associated with the Nile. Astaboras, then, is a name "which, with little doubt, blended in Coleridge's memory with Abola, to ring about the metamorphosis." On the next page, Lowes is convinced.

Between Abola and Astaboras, accordingly, Coleridge's Abora seems to have slipped into the dream. L 374

But even Lowes wonders "Why should hints from the names of two rivers have contributed a mountain to the dream?" His suggestion: Coleridge was also recalling Mount Amara, as described by Milton, who calls it the citadel of Abyssinian kings, supposed by some to be the True Paradise, at the source of the Nile. But before you contemplate Milton's text, look at the raging Astarobas, and see if it suggests the sacred river in Xanadu, and, perhaps Mount Abora.

Text

This prodigious body of water…tearing up rocks and large trees in its course, and forcing down their broken fragments scattered on its stream, with a noise like thunder echoed from a hundred hills….is very rightly called the "terrible." Bruce III 158

That island…having a twilight of short duration, was placed between the Nile and Astaboras. Bruce III 605
Word Line # Line Sources for word
Abora 41    
Forced 19    
Fragments 21    
Hills 10    
  13    
       
       
       

Link to:

Hills 10, 13

Forced 19

Fragments 21

Abora 41

Bruce 8: Floating hair

Why does Coleridge tell us to beware his floating hair?

Bruce accompanies the king of Abyssinia, Tecla Haimanout on a ride through the country. But the king's long hair gets caught in a tree branch, and he can only get free by taking off his cloak, debasing himself in public. To recover his dignity, naturally, he kills the local leader, and his son. Reason enough to fear someone with floating hair.

Lowes says:

That is not the sort of tale which one forgets. And with images of Tartary and Abyssinia already freely telescoping in the dream, it seems highly probable that some leap of association from Aloadine's assassins called up that sharp-etched picture of the ruthless Abyssinian king whose floating hair precipitated such a tragedy. 379

Text

(The king) had desired me to ride before him, and shew him the horse I had got from Fasil….It happened that, crossing the deep bed of a brook, a plant of the kantuffa hung across it. I had upon my shoulders a white goat-skin, of which it did not take hold; but the king, who was dressed in the habit of peace, his long hair floating all around his face, wrapt up in his mantle, or thin cotton cloak, so that nothing but his eyes could be seen, was paying more attention to the horse than to the branch of kantuffa beside him; it took first hold of his hair, and the fold of the cloak that covered his head…in such a manner that…no remedy remained but he must throw off the upper garment, and appear…with his head and face bare before all the spectators.

This is accounted great disgrace to a king, who always appears covered in public. However, he did not seem to be ruffled…but with great composure, and in rather a low voice, he called twice, Who is the Shum of this district? Unhappily he was not far off. A thin old man of sixty, and his son about thirty, came trotting, as their custom is, naked to their girdle, and stood before the king….The king asked if he was Shum of that place? He answered in the affirmative, and added…that the other was his son.

There is always near the king, when he marches, an officer called Kanitz Kitzera, the executioner of the camp; he has upon the tore of his saddle a quantity of thongs made of bull's hide…this is called the tarade. The king made a sign with his head, and another with his hand, without speaking, and two loops of the tarade were instantly thrown round the Shum and his son's neck, and they were both hoisted upon the same tree, the tarade cut, and the end made fast to a branch. They were both left hanging…Bruce, IV, 65-67

 

Word Line # Line Sources for word
Abyssinian maid 39
Beware 49    
Dread 52    
Flashing eyes 50    
Floating hair 50    

Abyssinian maid 39

Beware 49

His flashing eyes 50

Floating hair 50

Dread 52

Bruce 9: Prophecies of war

Lowes thinks that he has discovered the original for the prophecies of war in Kubla Khan, in a story Bruce tells of a talk with Ozoro Esther, wife of the old vizier of the king of Abyssinia, whose floating hair we saw before (397).

The passage offers a cluster of related images, tying together Abyssinia, and prophecies of war by holy men. Bruce is recalling what he said to the queen.

Text

"But, pray what is the meaning of the Ras's speech to me about both armies wishing to fight at Serbraxos? Where is this Serbraxos?"- 'Why, says she, here, on a hill just by; the Begender people have a prophecy, that one of their governors is to fight a king at Serbraxos, to defeat him, and slay him there: in his place is to succeed another king, whose name is Theodorus, and in whose reign all Abyssinia is to be free from war…and the empire of Abyssinia to be extended as far as Jerusalem.'-'All this destruction and conquest without war! That will be curious indeed. I think I could wish to see this Theodorus,' said I, laughing -'See him you will, replied Ozoro Esther; peace,happiness, and plenty will last all his reign, and a thousand years afterwards. Enoch and Elias will rise again, and will fight and destroy Gog and Magog, and all this without any war.' 'On which I again said…And now, why does Ras Michael choose to fight at Serbraxos?'….'Why,' says she, all the hermits and holy men on our side, that can prophecy, have assured him he is to beat the rebels this month at Serbraxos; and a very holy man, a hermit from Waldubba, came to him at Gondar, and obliged him to march out against his will, by telling him this prophecy, which he knows to be true, as the man is not like common prophets….Such a man as this, you know, Yagoube, cannot lie.  --Bruce IV 129-130

 
Word Line # Line Sources for word
Abyssinian 39    
Holy 14    
  52    
Prophesying 30    
War 30    
       
       
       

Link to

Holy 14, 52

Prophecy 30

War 30

Abyssinia 39

 

   

 

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